Showing posts with label Epilogue. Show all posts
Showing posts with label Epilogue. Show all posts

Friday, 15 September 2017

Where is Terry? The missing person in the Epilogue

Source


I talked about this post with Nila a while back after I posted my article about Anohito’s voice, smile and open arms in the CCFS Epilogue, however, I didn’t remember to post it until now. It’s a short post, but I might post another (longer) article tomorrow or on Sunday if time permits.

It started with me receiving the Italian version of the CCFS. I flipped through the books and realised again something odd with the Epilogue.

Before I resume with my explanation, let me quote what an Epilogue means. The Cambridge Dictionary states that an Epilogue is “a speech or piece of text that is added to the end of a play or book, often giving a short statement about what happens to the characters after the play or book finishes”. The Merriam-Webster Dictionary gives three main meanings of an Epilogue. One of them is related to a book, thus an Epilogue is “a concluding section that rounds out the design of a literary work”. In contrast, a Prologue is “a part that comes at the beginning of a play, story, or long poem, often giving information about events that happened before the time when the play, story, or poem begins” (The Cambridge Dictionary). Although the Merriam-Webster version is very straightforward, I like using the Cambridge Dictionary’s version more because it stipulates that an Epilogue usually discloses what happens to the characters after the last chapter (pre-Epilogue) of the book.


Saturday, 9 September 2017

Anohito statistical tests

The hunt for Anohito (left: Chapter 4; right: Chapter 9)

If you have read through my posts, you will notice that I have collected and reviewed up to 14 Anohito aspects in Candy’s “present day” monologue. In my latest post, I said that out of the 14 aspects, 11 of them are only attributable to Terry, 3 of them are attributable to both Terry and Albert, and none is attributable to Albert only. Thus… what does it look like if I plug those numbers into a statistical program? Does the proportion of Terry-related aspects (11 out of 14) significantly overwhelm both-Terry-Albert aspects (3 out of 14)?

The fact that there is no Anohito aspect that refers only to Albert in Candy’s monologue already established that Terry is Anohito. However, just to satisfy some statistical curiosity, let me plug those numbers.


Sunday, 27 August 2017

Epilogue (Anohito’s voice, smile and his open arms)

Update 25 Jan 2025

Five of my blog posts in this blog have been moved to "draft" because I used unlicensed manga images with English translations. Well, to make these posts appear again, I have to delete those manga images. Sorry guys, I don't have time to look for images right now, so I have five pages with no manga images... but at leat you can still read the post again now.



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In this post, we will look at the three aspects on that passage: Anohito’s voice, his smile, and his open arms to which Candy run into. I have explained them sporadically in the summary of Nee-chan’s blog, but I think a more dedicated post on this passage is needed.

After a laborious day (I kid you not), using JishoRomajidesu, and Nihongo-pro, I finally deciphered the whole Epilogue in Japanese script. Before I resume, though, I’d like to reiterate the importance of Candy’s monologues (including Prologue and Epilogue). These monologues show what happened in Candy’s current life with Anohito. We can decipher Anohito’s identity from the hints in Candy Candy Final Story flashbacks and manga. I agree with Scottie that the anime isn’t as faithful as manga, so I don’t use the anime as a source. 

It has to be said: even though Candy still had emotions to Terry by the time she wrote her unsent letter, she could have changed by the time Terry sent her his letter post-Susanna’s death. Also, although I couldn’t detect any romance between Candy and Albert in her last letter to Albert, her feelings to him could also have changed by the time Terry sent her his letter post-Susanna’s death. I have to take those possibilities into account. Having said that, Albert’s habits and Terry’s habits found in the manga and CCFS flashbacks are still very useful when analyzing Candy’s monologues. Those are historical records of Terry’s and Albert’s personalities, and we should not discount them in analyzing Candy’s monologues.